TRACKS

01    SA-(rthc)    160BPM
02    F21-DRB      168BPM
03    D+H30(t4)    200BPM
04    MG-24Kt      170BPM
05    T09-RS2D     160BPM



GENRES

BREAKCORE / IDM / DRUM AND BASS
BASS / DECONSTRUCTED CLUB MUSIC
LEFTFIELD BASS



 
CREDITS

Production    Circular Square
Mastering     Ugo Olivari
Artwork       @circular_square.mp3

“Solarized Sonic Memory” is a deeply personal exploration of my childhood summers in the south of France, translated into sound. The EP draws inspiration from specific sensory experiences, like the dramatic Tyndall effect created by strong sun rays piercing through closed wooden shutters in our house. This was the setting where my passion for music truly ignited, listening on my father’s hi-fi system to influential tracks such as “Szerencsétlen” by Venetian Snares and Amon Tobin’s seminal album “Bricolage”. These early encounters profoundly influenced my musical taste and, directly, the direction of my current productions.

Another key inspiration comes from beach days, where, as a child, time felt infinite. After exhilarating hours in the waves, I'd lie on my towel, ear to the ground, captivated by the subtle sounds resonating through the sand. I'd even experiment with my vision, mesmerized by the entoptic phenomena, a visual spectacle I now understand but then simply found enchanting. The sense of falling asleep in the hot car on the way back, skin dry with salt and sand, completes this tapestry of memories.

Spanning genres from bass and breakcore to drum and bass, IDM, leftfield bass, and deconstructed club music, "Solarized Sonic Memory" exists in the pulsating range of 160 to 200 BPM. Each track aims to evoke these unique, vivid moments, inviting listeners into a deeply personal, yet universally resonant, journey.


VISUALS



Circular Square is a music producer, sound designer, and technician hailing from the South of France, currently based in Paris. His artistic practice deeply explores the realms of computer music and CGI, pushing the boundaries of auditory and visual experiences.

His musical journey began at 14, when he independently experimented with electronic music tools. A significant influence on his musical identity came from his father, who introduced him to early IDM artists like Aphex Twin, Squarepusher, and Venetian Snares, alongside the improvisational spirit of free and UK Jazz.

Circular Square's current sound is a testament to his unique approach: he hybridizes and deconstructs diverse music genres, seamlessly blending elements of drum and bass, breaks, bass music, IDM, dubstep, and hyperpop. He approaches music with mathematical precision, embracing randomness and generated systems to disrupt conventional loops, unlock new sonic possibilities, and cultivate "happy accidents" that surprise and engage.

His creations are designed for experimental club enthusiasts who crave intricate rhythms and profound bass. Yet, his music also retains a distinct IDM sensibility, inviting listeners on an introspective journey into his digital world. Here, time becomes fluid, and every sonic object undergoes a captivating evolution.

Beyond his personal projects, Circular Square has been actively involved in mastering for the past five years. He serves as the sound engineer for independent labels such as Le Pacifique Records, Grid.avi, ERG Melody, MONTAGE, Blue Night Jungle, and 10.60Hz.


       



OTHER RELEASES
SIGNED LABELS

· YUKU ———————————————————————— (CZ)
· 00effort ———————————————————— (PL)
· 10.60Hz ————————————————————— (BE)
· CRTTR ——————————————————————— (CH)
· Crux Axul ——————————————————— (DE)
· Early Reflex ———————————————— (IT)
· Le Pacifique Records ———————— (BE)
· Lieftuig ———————————————————— (BE)
· MONTAGE ————————————————————— (BE)


[coming soon]
· Poems ——————————————————————— (DE)







LIVE AND DJ SET LOCATION

· Kiosk Radio ————————————————— Live + DJ sets (BE)
· Paranoise Radio ————————————— DJ set ——————— (GR)
· Fade Radio —————————————————— DJ set ——————— (GR)
· Radio Kapitał ——————————————— DJ set ——————— (PL)
· Radio Tempo Não Pára ———————— DJ set ——————— (NL)
· Recyclart ——————————————————— Live ————————— (BE)
· The Grey Space in the Middle  Live ————————— (NL)
· BOOMTOWN Ghent —————————————— Live ————————— (BE)
· The word radio —————————————— Live ————————— (BE)
· Le Lac —————————————————————— Live ————————— (BE)
· Kinky Star —————————————————— Live ————————— (BE)
· Kapitel Bollwerk ———————————— Live ————————— (CH)
· Le Sample ——————————————————— Live ————————— (FR)
· La Perle ———————————————————— Live ————————— (BE)



ARTICLES

First Floor #207 — Shawn Reynaldo
29 February. 2024


Circular Square “4KO-L3” (Crux Azul)
After debuting on Crux Azul last year with the impressive 3-HT-( xon) EP, Brussels-based producer Circular Square has followed it up with 12 . 5h -60° SQ3, another collection of razor-sharp club hybrids. The whole EP is excellent, but “4KO-L3” opens the record with a bang, its neck-snapping breakbeats swaddled in the most sinister of bass wubs. Light-hearted it is not, but while most artists employing this sort of sound palette wind up sounding needlessly aggro, this tune feels remarkably limber, its digital crunch retaining an observable spring in its step. The predominant vibe still leans evil, but Circular Square doles it out with a wry smile on his face.



GROOVE MAG — Frank P. Eckert
12 April 2023


Die hochauflösenden Drum’n’Bass-Exegesen des französischen Belgiers
Circular Square liegen nicht ganz so que(e)r – also genau im Post-Internet-Zeitgeist, aber vielleicht passt die jüngste Ausgabe der stilkonformen wie -sprengenden EP-Reihe des Berliner Labels Crux Axul dennoch gut in die heutige Zeit. Allein die Tatsache, dass Crux III : 3-HT-(xon) an keiner Stelle langweilig ist, sagt ja schon sehr viel, wenn nicht alles, wir sprechen hier ja immerhin über Drum’n’Bass.”


Indie Style BE — Daan
17 January 2022


PLONSJES: DEZE 13 NUMMERS HEBBEN WIJ OP REPEAT STAAN
Eén van de vele hoogtepunten op ‘Digital Shapes’, het nieuwe album van
Circular Square (uit op Lieftuig, het label van het Gentse collectief Grid), is ‘J – N(ing)’. Door het gebruik van verschillende amen breaks weeft de producer verschillende, op jungle gebaseerde, ritmes door elkaar. Zijn achtergrond in sound design valt dan weer op in de high end productie. Het resultaat is innovatieve clubmuziek van eigen bodem in de slipstream van bijvoorbeeld Lee Gamble.





VIDEOS